Issue 8, Summer/Autumn 2009 |
Ununbium (Uub) by Deborah Poe
1.
it's the smell of me in between, of life, before you are going down, you can come through many languages you speak seven
what are the languages— english, arabic dialects you name I can't spell (let alone in this elevator)
were you born here, no, when did you
sudan 10 years ago
2.
then there's half flurries cigarette butts beyond the tile the man in the acura, sunglasses
a cold work horse carriage the carrying of no one
to tip the hot center of being alone
and the couples walking up tomorrow's Valentine—the old and the young
3.
and this death between my fingers the apple light—of you can't touch me— lounge song in “your time has come”
4.
last night i tell my friend “I can swing legs on african bone-pattern bench”
which has nothing to do with seven languages
(one big clock swings leaving out Chicago's L)
5.
look back at architecture of beat call beat contact or encounter
speech erotics marbled poetics of “ball” a way of making culture is the way to make a pebble sing
motherhood punk rockers earthquake syntax of language and the mind self hypnosis in the nerve net
hybridization a closer experience with the geological body
the naked king is lear facing the audience sitting in your lap weaving through your aisles
6.
little dog little man (still swinging)
absent moon, present song (still singing)
over slow taxi to the stoplight (clock ticking
Note: Section 5 is based on answers from Lynn Emanuel, Forrest Gander, Brenda Hillman, Mark McMorris and Cal Bedient when I asked after the American Hybrid panel what “contacts” have instigated their work.
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